1. In the "Note to the Reader," the narrator tells us, "There is a final resource to which I have resorted when necessary--the imagination." How does she use this resource in telling her story? Is it a resource to which the other historians in the book resort, as well?
2. The theme of mentors and disciples is an important one in the book. Who are the story's mentors, and in what sense is each a mentor? Who are the book's disciples?
3. Near the end of Chapter 4, Rossi says, "Human history's full of evil deeds, and maybe we ought to think of them with tears, not fascination." Does he follow his own advice? How does his attitude toward history evolve in the course of his own story?
4. In Chapter 5, Paul's friend Massimo asserts that in history, there are no small questions. What does he mean by this and how does this idea inform the book? Do you agree with his statement?
5. Helen and Paul come from very different worlds, although they share a passion for history. How have their upbringings differed? What factors have shaped each?
Tuesday, April 15, 2008
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